Multi Channel Signal Processor FA-505

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5IN / 5OUT with Up/Down/Cross Converter
All-Round Frame Synchronizer

Frame synchronizer equipped with an array of essential functions used in video production and that allow multi-channel routing (5-input/5-output video). Supports 3G-SDI and HD/SD-SDI input/output as standard and includes all typical FS and CC (standard) features. The unit provides up/down/cross-conversion on each input as standard and allows 1080i to 720p, or 720p to 1080i conversion. Highly versatile audio signal processing capability with delay adjustment and remapping functions plus a sampling rate converter. Combining these varied options allows a single unit to provide optimal functionality for all video production scenes, including those used in transmission, outside broadcasting, news reporting, production, editing and distribution.

Upgrades with an eye toward next-generation production (environments) have been implemented.

HDR (High Dynamic Renge)*, WCG (Wide Color Gamut), etc., next generation production-capable upgrades are now available.

Registration of Log Gamma curves for HDR (High Dynamic Range)* processing

Conforms to ITU-R BT.2020 WCG

4K 2SI signal support
Frame rate conversion function
Low frame rate (23.98p, 30p) 4K camera signal support

Not compatible with OOTF for Hybrid Log-Gamma (HLG) as specified in BT.2100. Thus, in conversion between HLG and other gamma curves (SDR or SMPTE ST 2084), scene-referred conversion is available but not display-referred conversion.

Block Diagram

Reasons to Buy

1.Five processors in a single unit

A sister model of the 10-input/10-output FA-1010, which has 10-channel processing, the FA-505, with 5 inputs, 5 outputs and 5-channel processing, also comes equipped with features not found in the FA-1010, including an up/down/cross/aspect converter function. Like the FA-1010, the FA-505 is not simply 5 processors enclosed in a single housing, but 5 interconnected internal circuits. It implements all the various processors and clean switch functions required to build a system, and enables multi-channel signal processing on each channel with no cable connections. In addition, as ancillary and audio signal data are handled separately from video signals, concerns about ancillary data such as subtitles and time codes being erased can be allayed.

2.Powerful audio processing

With 16 channels of 3G/HD (synchronous/asynchronous) and SD-SDI^*1 (synchronous) embedded audio on each input supporting up to 80 channels on all 5 inputs, a versatile array of signal processing is possible, including standard SDI embedding and de-embedding, and if an optional expansion card is installed, A/D and D/A conversion. The analog audio input option is equipped with a microphone head amplifier and phantom power, enabling direct condenser microphone input with no need for impedance conversion. The unit also includes sampling rate converters as well as various other processes such as level adjustment, delay adjustment, down-mixing^*2, remapping, and polarity conversion.

12-channel audio SD-SDI output
Down-mixing supports only SDI-embedded audio signals

3.Space-saving form factor

With the capability of 5 processors fit into a 1U size, the FA-505 provides a smaller equipment footprint. In addition, it is perfect for systems that handle a large number of inputs and outputs, such as network operation centers, and systems where equipment space is limited, such as mobile video production trucks.

4.Up/down/cross/aspect converter

The FA-505 comes equipped with an up/down/cross/aspect converter function on each input. 3G, HD, and SD signals can be mutually inter-converted.

5.Color correction function on each input

In addition to proc amp., the FA-505 incorporates a color correction function, allowing color correction to be performed in three color correction modes, which offer a flexible color adjustment environment that includes gamma adjustment, clipping, and various level adjustment functions.

6.Inter-convertible 3G-SDI level-A/B signals on each input

Connectivity difficulties can arise when building a 3G-SDI system that mixes level-A and level-B-compatible products. The FA-505 allows a system to be assembled that unifies the signals of either kind, with level-A/B input signals inter-convertible on each channel.

7.5×5 clean switch

The FA-505 comes standard with 5×5 video and audio clean switches to route the five output SDI signals after processing.

8.SDI I/O relay bypass

To cope with a power outage or emergency, the FA-505 includes an I/O bypass function.

9.Powerful audio remapping

You can remap which audio signal channels to assign to each video or each audio channel. Up to 80 channels of audio signal can be freely re-mapped as standard, or up to 112 channels when optional cards are installed. Delay adjustment and polarity conversion are also available on each channel, allowing systems to be configured without any special audio processing equipment.

10.Usable as a 4K processor

A video channel link allows you to collectively control channel parameters you want linked. The FA-505 offers a special 4K mode that uses this capability. 4K (QFHD) square division signals can be controlled as if they were one signal.

11.An abundance of control options

The FA-10RU remote control unit provides dedicated access to the full features of the FA-505 and can control up to 100 FA-505s. One FA-505 is also able to be controlled from multiple remote control units or GUIs at the same time (with up to five concurrent connections possible).
The FA-10DCCRU remote control unit for color correction has inherited the traditional operating style of FOR-A’s color corrector series of products and offers direct access to a variety of parameters for smooth color adjustment.
The FA-AUX30 remote control panel facilitates access to the rich functionality of the FA-505. Its switch box works over a GPI connection and can be used to freely assign router panel button functions to the 30 front panel buttons, and to assign shortcuts for each function. In addition, preset patterns are prepared in advance in the GPI settings, allowing you to begin using the FA-AUX30 immediately, with no detailed configuration required.

12.Easy-to-use GUI

The FA-505 comes standard with a dedicated application that runs on Windows, providing full access to many functions, and allows a wide variety of settings. Web server functionality is also implemented in the main unit, allowing adjustments* to be made to various parameters from mobile and tablet devices.

Available for a limited number of function and parameters

13.Efficient cooling system

The FA-505 is designed to offer efficient cooling during extended use. Air that is taken in through the front panel inlet holes cools the inside power supply and other components, and is exhausted through the side and rear panels. The air intake is pulled straight through the inside and out the exhaust vents for efficient cooling, reducing retention heat throughout the whole unit.

Features

HDR*, WCG-conforming upgrades with an eye toward next-generation production (environments) have been implemented.

Registration of Log Gamma curves for HDR (High Dynamic Range)* processing
HDR (High Dynamic Range) video now supported. Necessary Log Gamma curve files for signal conversion can be registered to the main unit, and to allow an appropriate Log Gamma curve to be assigned.

Conforms to ITU-R BT.2020 WCG(Wide Color Gamut) specifications.
Conforms to ITU-R BT.2020 Wide Color Gamut standards, allowing for ITU-R BT.2020 / ITU-R BT.709 interconversion.

4K 2SI signal support
Until now, only 4K SQD (Square Division) signal support was available, but with a software upgrade, 2SI (Sample Interleave) signal is now also supported.

Frame rate conversion function
2x, 1/2x frame rate converter (29.97p to 59.94p, 50p to 25p, etc.) has been installed.

Low frame rate (23.98p, 30p) 4K camera signal now also supported.
Low frame rate (23.98p, 30p, etc.) 4K camera video output is now available.

Not compatible with OOTF for Hybrid Log-Gamma (HLG) as specified in BT.2100. Thus, in conversion between HLG and other gamma curves (SDR or SMPTE ST 2084), scene-referred conversion is available but not display-referred conversion.

Frame synchronizer

FOR-A’s frame synchronizers have always exhibited superior performance when processing poor quality video signals. Frame, Line, and AVDL synchronizer modes are available. Every mode allows both H and V ancillary data to be passed through*.

Different input/output formats may limit the number of packets that can pass through.

Frame Sync mode
Aligns the output with a genlock signal and can be used whether or not the genlock signal and video input signal are synchronized.
Line Sync mode
Locks the output to a genlock signal within a range of ± 1/2 lines and can be used only when the video input and genlock signals are synchronized.

AVDL mode
Locks the output to a genlock signal with a constant time offset of 5H in HD and 1H in SD. The feature can only be used when the video input and genlock signals are synchronized.

Line Sync (Minimum) mode
Outputs the input signal with minimum delay. It can be used only when the video input and genlock signals are synchronized.

Proc. Amp.

Allows video, chroma and black levels and HUE to be adjusted. Individual channels are also able to be adjusted and to control multiple channels collectively via channel link. A split view function allows pre- and post-correction results to be examined.

Up/down/cross/aspect converter

Up/down/cross/aspect converter function also available on each processing circuit. 3G, HD, and SD can be mutually inter-converted.

Up converter: Converts SD to HD, HD to 3G, and SD to 3G.

Down converter: Converts 3G to HD, 3G to SD, and HD to SD.
Cross converter: Converts 1080i to 720P and 720P to 1080i.
Aspect converter: Perform various forms of aspect ratio conversion, including letterbox and side cut.

Color corrector

FOR-A’s color corrector, with its proven track record in the broadcasting industry, comes standard on each channel. Three available color correction modes can be freely used on the five input channels, with color adjustment performed alone or in groups. It is even possible to link channels while maintaining differences between parameters.

Balance mode: Provides RGB color correction
Differential mode: Provides color correction without upsetting white balance
Sepia mode: Converts colors into a monotone or sepia

Each parameter comes with a Unity button, a familiar FOR-A color correction feature that allows parameters to be restored to their default state with the push of a button.
A split view function allows pre- and post-correction results to be examined. Also able to be used as a 4K color corrector in 4K mode.

Clip function

The FA-505 has inherited another set of familiar FOR-A color corrector features, Y/PB/PR and RGB clip functions that allow color information to be kept within an optimal range.

Y/PB/PR clip: Adjusts excessively bright or dark color information within a range using white and black clip functions while maintaining white balance.

RGB clip: Adjusts excessively bright or dark color information within a range using white and black clip functions, compensating for unintended color information generated during recording.

Selector functions on SDI input and output

The FA-505 comes with an SDI input and output selector function, allowing for the input processing path and output terminal to be selected.

Clean switch

The output unit comes equipped with a clean switch that delivers smooth changeover of both video and audio, free from noise and shock. Switching methods include Direct Mode, which allows direct crosspoint operation, Take Mode for switching multiple crosspoints using a single Take operation, and Salvo Mode, which saves and switches cross point settings all at once. Clean switching allows the FA-505 to be utilized as a processing-based routing switcher.

Delay adjustment

The FA-505 comes equipped with a frame buffer that stores up to 8 frames. Delay adjustments can be individually applied to each channel.

Input and output bypass

The FA-505 comes equipped with a bypass function that allows video to bypass processing and be output in case of power failure or an emergency.

ANC MUX/DEMUX

Ancillary (ANC) signal that is superimposed on video signals are first isolated, then processed separately, from the processing circuits. Whether to have ANC data pass through directly on each channel, or to have the superimposed ANC data re-superimposed or left blank, can be selected.

Time code inserter/generator

In addition to inserting external LTC time codes, use of the internal time code generator can be selected. For each channel, select whether to Pass or comply with the external or internal TC. The built-in LTC connector can be used not only for external LTC input but also as the external output of the internal TC (selectable).

Test signal output

Each channel is able to output a 100%, 75% or SMPTE color bar, or Ramp signal as a test signal.

Event memory

Up to 100 different parameter settings are able to be saved in the internal event memory of the main unit. The settings data can be backed up and restored using a PC.

SNMP

SNMP is supported as standard and can even be used to monitor power supply, fan, and signal alarms.

Distribution outputs

Each output of the FA-505 is capable of output distribution. There is no need to prepare a separate distributor in the case an additional output is required.

Sixteen channels of embedded audio for each video line

16 channels of embedded audio per line of 3G/HD (synchronous/asynchronous) or SD-SDI* (synchronous) input supports up to 80 channels of powerful audio input processing on all 5 inputs.

12 channels of audio for SD-SDI output

Supports up to 112 channels with the addition of the optional audio card

The FA-505 provides digital and analog audio I/O as options. An optional expansion card allows A/D and D/A conversion, MUX/DEMUX and remapping, in combination with the embedded audio signal.

FA-10AES-BL: Balanced digital audio I/O
Enables 4 lines (8 channels) of balanced digital audio input/output.
FA-10AES-UBL: Unbalanced digital audio I/O
Enables 4 lines (8 channels) of unbalanced digital audio input/output (4-channel input/output switching).
FA-10ANA-AUD: Analog audio I/O
Enables 2 lines (4 channels) of balanced or unbalanced analog audio input/output.

Gain adjustment

Gain adjustment available on each audio channel. A Unity button allows values to revert to default at the push of a button.

Sampling rate conversion

All digital audio channels come equipped with sampling rate conversion circuits that allow the system output to be synchronized.

Delay adjustment

Delay adjustment can be set for each audio channel in 1-ms steps, up to 1,000 ms. Collective delay adjustment for each audio grouping is also possible. A Unity button allows values to revert to default at the push of a button.

Channel remapping

Audio channels to be embedded into video can be freely changed and re-ordered, remapped, across all five video channels. This function is a useful as a replacement for an optional audio channel or for main- and sub-audio channels.

Down-mixing

Useful for tasks such as converting from 5.1-channel audio to stereo, this function allows the assigned channel to be changed to any L, R, Center, Ls or Rs channel, the gain to be adjusted, and the down-mix mode selected. A Mono Sum mode also allows a stereo channel pair to be converted to monaural.

Polarity reversal

The polarity of each audio channel can also be reversed, allowing you to correct an audio channel that has unintentionally fallen out of phase.

Master mute

This function allows you to mute the audio for each video channel or optional audio card.

Test signal output

This function allows you to output a 500 Hz or 1 kHz reference signal from each video channel or optional audio card, or a reference signal from each audio channel.

Applications

1.Network operation centers

As a product capable of providing both functionality and space savings, the FA-505 is an excellent choice for network operation centers, which handle a large number of video signals. With its ability to process as much as 5 channels of video signal in a 1U size profile, the FA-505 can contribute to significant space savings. Since it can be equipped with an up/down/cross/aspect converter, appropriate processing is available for a variety of signals. The unit possesses excellent audio processing capabilities, including an audio remapping function across 5 channels, and to effectively process consistently stable video, a number of features have been developed, including redundant power supply, SNMP status monitoring, and dedicated, integrated remote control.

2.Studio control rooms

There are significant benefits to incorporating what the FA-505 offers into second control room systems. In addition to frame synchronization, the FA-505 implements numerous other features that are useful in the control room, including up/down/cross/aspect conversion, 3G-SDI level-A/B conversion, color correction, delay adjustment, time code distribution, audio remapping, gain adjustment, and polarity reversal. Moreover, the FA-505 offers these features across five channels, and with respect to control, provides a stable working environment by means of remote control over dedicated hardware.

3.Mobile OB and Up-Link production trucks

With five channels of processing in a single unit, the FA-505 delivers significant benefits in systems where space savings are required, such as in mobile and Up-Link production trucks, and due to its multi-device functionality, contributes to a significant reduction in both rack space and power consumption. The FA-505 offers a rich feature set that is useful in the field, including frame synchronization, up/down/cross/aspect conversion, color correction, delay adjustment, clean switching, time code generation and insertion, and various audio processing functions.

4.Events

Housed in a single unit, the FA-505 greatly reduces the amount of peripheral equipment at event sites where portable equipment is used by playing the role of five video and audio processors. For example, its color corrector can be used for color matching between cameras, and its up/down/cross/aspect converter to unify signal formats originating in various devices. In addition, because it comes with a clean switch function, an external remote unit allows the unit to be used as a simple switcher. By installing the analog audio option, it is possible to use and mix direct microphone input with other sounds, then embed the audio into video output. And even in multi-camera editing when using a large number of recorders, system assembly is simplified due to the time code and audio processing being implemented into a single unit.

5.Editing and MA

Today, as non-linear editing has become mainstream, video systems are simplifying the process. Conversely, because the workflow can now be too simple, there may be times when you run into trouble and think, “I wish I had that feature!” The FA-505, which includes a comprehensive set of video and audio-related features in a single unit, gives you the flexibility to deal with those unforeseen situations that make you wish you had that feature!

6.4K systems

4K video production has begun. Preparing four processors to handle QFHD video can be a significant burden in terms of both equipment and costs. Just the cable work involved to connect each device requires considerable effort. The FA-505 comes with a 4K mode, allowing it to work as a 4K (QFHD) video processor, and can be used as a 4K-compatible frame synchronizer, as well as a 4K color corrector. Various processing functions also allow it to be used the same was as in HD processing, and with 3G-SDI level-A/B conversion capability also standard, simplifies the assembly of systems that mix peripherals compatible with level-A or level-B.

System Example

System Example 1

The FA-505 lets you synchronize various input devices and perform delay adjustment and color correction.

It implements inter-convertibility between SD, 720p, 1080i, and even 1080p signals by means of the up/down/cross/aspect converter.
The analog audio option is equipped with a head amplifier and phantom power, enabling direct microphone input.
It supports AFD signals, and can automatically convert them to the optimal format and view angle.
The audio MUX and DEMUX functions make it easy to superimpose an external sound source such as a microphone on the camera image.
Use of an FA-AUX30 external remote unit also allows easy access to many functions through GPI.

System Example 2

The FA-505 can be used for multi-camera recording using multiple camera units, and allows the video feed from each camera to be delay-adjusted, color-corrected, and synchronized.

The up/down/cross/aspect conversion allows for signal unification, even in environments that mix SD, HD, etc.
All of the recorder time codes can be synchronized by means of the time code generator and inserter.
The audio MUX/DEMUX functions allow external sound sources, such as from a microphone, to be easily superimposed onto the camera image.
Use of an FA-AUX30 external remote unit also allows easy access to many functions through GPI.

System Example 3

The FA-505 can also be used as a frame synchronizer/processor for a 4K camera, allowing delay adjustment, color correction, and synchronization of video from one 4K camera (maximum).

The channel link function allows QFHD video to be processed as a single video.
The audio MUX/DEMUX functions allow external sound sources, such as from a microphone, to be easily superimposed onto the camera image.
Installing the output expansion option also allows additional output channels to be utilized.

Options

Remote Control Units

FA-10RU

A remote control unit that allows remote operation of almost all FA-505 functions. A single FA-10RU is able to control up to 100 FA-505s. In addition, one FA-505 is able to also be controlled from up to five remote units (including the FA-10DCCRU and FA-1010GUI) simultaneously.

FA-10DCCRU

A remote control unit that allows remote operation of the color corrector functions of the FA-505. One FA-505 is able to be controlled from up to five remote units (including the FA-10RU and FA-1010GUI) simultaneously.

External remote panel

FA-AUX30

A remote panel unit that is able to control FA-505 GPI input/output as well as the FA-10RU and FA-10DCCRU remote control units. Equipped with 30 buttons, the remote panel offers one-touch assignment and activation of common operator functions.

Control unit connection examples

Single-unit utilization Ex.1
The FA-AUX30 can be connected by inserting three optional FA-10GPI cards. Using the FA-AUX30 provides shortcuts to various operations:
- Crosspoint control of the router
- Shortcuts to the color correction function, etc.
Single-unit utilization Ex.2
Many operations can be carried out using the FA-10RU remote control panel. Using the FA-AUX30 provides shortcuts to various operations:
- Crosspoint control of the router
- Shortcuts to the color correction function, etc.
Multi-unit utilization Ex.1
Multiple units can be controlled using the FA-10RU remote control panel. Using the FA-AUX30 provides shortcuts to various operations:
- Crosspoint control of each unit’s router
- Shortcuts to each unit’s color correction function, etc.
Multi-unit utilization Ex.2
Multiple units can be controlled using the FA-10RU remote control panel. Using the FA-AUX30 provides shortcuts to various operations:
- Crosspoint control of each unit’s router
- Shortcuts to each unit’s color correction function, etc.

Optional cards

FA-10AES-BL
Optional digital audio I/O expansion card. Enables 4 lines (8 channels) of balanced digital audio input and output on a single card. Can be inserted in up to 4 slots.
FA-10AES-UBL
Optional digital audio I/O expansion card. Enables 4 lines (8 channels) of unbalanced digital audio input and output on a single card (channels settable to 8-input/8-output or 4-input/4-output through switching) Can be inserted in up to 4 slots.
FA-10AES-UBLC
Expansion option for the FA-10AES-UBL. Installing this option allows a 16-channel configuration (8-input/8-output). Can only be installed in the optional slot immediately to the right of the FA-10AES-UBL.
FA-10ANA-AUD
Optional analog audio I/O expansion card. Enables 4 channels of balanced or unbalanced audio input and output. Input comes equipped with head amplifier and phantom power functions. Can only be installed in option slot D.
FA-10GPI
Optional GPI I/O expansion card. Enables use of GPI control for system assembly or when a direct FA-AUX30-main unit connection is required. Can be inserted in up to 4 slots.

Details

Specifications

Input Video Formats		3G-SDI: 1080/60p (Level-A), 1080/59.94p (Level-A/B), 1080/50p (Level-A/B) HD-SDI: 1080/59.94i, 1080/50i, 1080/30p, 1080/29.97p, 1080/25p, 1080/24p, 1080/23.98p, 1080/24PsF, 1080/23.98PsF, 720/59.94p, 720/50p SD-SDI: 525/60, 625/50
Output Video Formats		3G-SDI: 1080/60p (Level-A), 1080/59.94p (Level-A/B), 1080/50p (Level-A/B) HD-SDI: 1080/59.94i, 1080/50i, 1080/30p, 1080/29.97p, 1080/25p, 1080/24p, 1080/23.98p, 1080/24PsF, 1080/23.98PsF, 720/59.94p, 720/50p SD-SDI: 525/60, 625/50
Video Input		3G-SDI: 3 Gbps, HD-SDI: 1.5 Gbps or SD-SDI: 270 Mbps, 75Ω, BNC x 5
Video Output		3G-SDI: 3 Gbps, HD-SDI: 1.5 Gbps or SD-SDI: 270 Mbps, 75Ω, BNC x 10 *Distribution output for each channel
Processing		4:2:2 Digital component
Quantization		3G/HD/SD-SDI: 10-bit
Genlock Input		BB: NTSC: 0.429 Vp-p/PAL: 0.45 Vp-p or Tri-level Sync: 0.6 Vp-p, 75Ω, BNC x 1, loop-through (to be terminated with 75Ω terminator, if unused)
Synchronizer Modes		Frame Sync, Line Sync, AVDL, Line (Minimum)
System Phase Control	Frame Sync Mode	H: -1/2H to +1/2H V: -1/2 frame to +1/2 frame Delay: Max. 1 frame +1H / Min. 1H
	Line Sync Mode	H: -1/2H to +1/2H V: -1/2 frame to +1/2 frame Delay: Max. 1H +1/2H / Min. 1H +2H
	AVDL Mode	H: -1/2H to +1/2H V: -1/2 frame to +1/2 frame Delay (HD): Max. 5H +1/2H +1H / Min. 1/2H Delay (SD): Max. 1H +1/2H +1H / Min. 1/2H
Video Delay		Max. 8 frames (in Frame Sync mode)
Video Processing Functions		Proc Amp, Color Corrector, Up/Down/Cross/Aspect Converter
Proc. Amp.		Video level: 0.0% to 200.0% Chroma level: 0.0% to 200.0% Black level: -20.0% to 100.0% HUE: -179.8° to +180°
Video Clip		YPbPr, RGB
Color Correction		Balance, Differential, Sepia
Audio Input	Embedded Audio	3G/HD: 16 channels (Group 1 to 4), 48 kHz, 16-bit to 24-bit, synchronous/asynchronous (Link A embedded audio only in 3G Level-B) SD: 16 channels (Group 1 to 4), 48 kHz, 16-bit to 24-bit, synchronous only
Audio Input (optional)	FA-10AES-BL (AES/EBU)	Balanced, 0.2 Vp-p to 7 Vp-p, 110Ω, 25-pin D-sub (female) x 1, input/output, 4 pairs of stereo channels, 32/44.1/48 kHz, 16-bit to 24-bit
	FA-10AUS-UBL (AES/EBU)	Unbalanced, 1.0 Vp-p, 75Ω, BNC x 4, input/output, Max. 4 pairs of stereo channels, 32/44.1/48 kHz, 16-bit to 24-bit
	FA-10ANA-AUD (Analog Audio)	<Line Input> Balanced or unbalanced, 4 channels (2 pairs of stereo channels), 25-pin D-sub (female) x 1 (shared with analog audio output) 600Ω / hi-impedance, 48 kHz, 24-bit Input level: -10 dBu to +8 dBu <Mic Input> Balanced or unbalanced, 2 channels (1 pair of stereo channels), (shared with the analog audio input CH1/CH2 connector), 600Ω/Hi-impedance, 48 kHz, 24-bit Input level: -55 dBu to -30 dBu
Audio Output	Embedded Audio	3G/HD: 16 channels (Group 1 to 4), 48 kHz, 16/20/24-bit, synchronous/asynchronous (Link A embedded audio only in 3G Level-B) SD: 12 channels (Group 1 to 3), 48 kHz, 16/20/24-bit, synchronous only
Audio Output (optional)	FA-10AES-BL (AES/EBU)	Balanced, 3.3 Vp-p, 110Ω, 25-pin D-sub (female) x 1, input/output, 4 pairs of stereo channels, 48 kHz, 16/20/24-bit
	FA-10AES-UBL (AES/EBU)	Unbalanced, 1.0 Vp-p, 75Ω, BNC x 4, Max. 4 pairs of stereo channels, 48 kHz, 16/20/24-bit
	FA-10AES-UBLC (AES/EBU)	Unbalanced, 1.0 Vp-p, 75Ω, BNC x 4, Max. 4 pairs of stereo channels, 48 kHz, 16/20/24-bit (The FA-10AES-UBL ifunctions as an input card when used with the FA-10AES-UBLC.)
	FA-10ANA-AUD (Analog Audio)	Balanced or unbalanced, 4 channels (2 pairs of stereo channels) 25-pin D-sub (female) x 1 (shared with analog audio input) 100Ω or lower impedance, 48 kHz, 24-bit Output level: -10 dBu to +8 dBu
Audio Delay		5 ms to 1,000 ms (adjustable in 1 ms steps)
Audio Processing		Sampling rate converter (SRC), Gain control, Down mix, Channel re-mapping, Channel mute
Interface		Ethernet (100Base-TX/1000Base-T): RJ-45 x 1
Interface (optional)		FA-10GPI: 25-pin D-sub (female) x 1
Temperature / Humidity		0°C to 40°C / 30% to 90% (no condensation)
Power		100 VAC to 240 VAC ±10%, 50/60 Hz
Consumption	FA-505	80 VA (79 W) (at 100 VAC to 120 VAC), 90 VA (77 W) (at 220 VAC to 240 VAC) with FA-50PS: 90 VA (86 W) (at 100 VAC to 120VAC), 108 VA (78 W) (at 220 VAC to 240 VAC) Add the consumption of each options you select.
	FA-10AES-BL	4.3 VAC (4.2 W) (100 VAC to 120 VAC) 3.48 VAC (3.8 W) (220 VAC to 240 VAC)
	FA-10AES-UBL	2.86 VAC (3 W) (100 VAC to 120 VAC) 3.12 VAC (3.1 W) (220 VAC to 240 VAC)
	FA-10GPI	4.6 VAC (4.8 W) (100 VAC to 120 VAC) 4.1 VAC (4.3 W) (220 VAC to 240 VAC)
Dimensions		430 (W) x 400 (D) x 44 (H) mm
Weight		FA-505: 7.0kg (without options) FA-10AES-BL: 0.2 kg FA-10AES-UBL: 0.2 kg FA-10AES-UBLC: 0.1 kg FA-10ANA-AUD: 0.1 kg FA-10GPI: 0.2 kg
Consumables		Power supply unit (to be replaced within 3 years) Cooling fan: P-1439-2 (FAN 1-4) (to be replaced within 5 years)
Accessories		CD-ROM (Windows GUI, Operation Manuals), AC cord, Rack mount brackets
Options		FA-10RU: Remote control unit FA-10DCCRU: Remote control unit for color correction FA-AUX30: AUX extension panel (with a connection capability with the FA-10RU, FA-10GPI) FA-10AES-BL: Digital audio balanced I/O option FA-10AES-UBL: Digital audio unbalanced I/O option FA-10AES-UBLC: Digital audio unbalanced output expansion cable FA-10ANA-AUD: Analog Audio I/O option FA-10GPI: GPI 10 each input/output option FA-50PS: Redundant power supply unit

Product Details

FA-505 Front View

FA-505 Rear View

FA-505 Cooling System

FA-10RU Front View

FA-10RU Rear View

FA-10DCCRU Front View

FA-10DCCRU Rear View

FA-AUX30 Front View

FA-AUX30 Rear View

Dimensions

FA-505

FA-10RU (Remote Control Unit)

FA-10DCCRU (Remote Control Unit for Color Corrector)

FA-AUX30 (Remote Control Panel)

Lineup

FA Series Lineup

FA-9500

A Multipurpose signal processor loaded with the functions you need for your video production requirements. The unit supports 3G-SDI, HD/SD-SDI, and analog composite I/O. In addition to its frame synchronizer (FS) capability, up/down/cross/aspect converter, color corrector (CC), and automatic video optimizer (AVO) features also come equipped as standard, allowing the unit to convert many types of video and audio signal formats. Numerous options include analog component I/O, logo generator, and Dolby E encoder/decoder. Combining these varied options allows a single unit to provide optimal functionality for all video production scenes, including those used in transmission, line production, news reporting, production, editing and distribution applications. An FA-9500 allows you to do away with other peripheral video equipment items.

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FA-9520

A dual channel multipurpose signal processor loaded with key features perfect for a variety of applications including: master control, mobile production, post production, live production and more. Developed as a dual channel version of the industry-leading FA-9500 processor, supports 3G-SDI, HD/SD-SDI, and analog composite I/O. In addition to its frame synchronizer (FS) capability, up/down/cross/aspect converter, full color corrector (CC) and automatic video optimizer (AVO) features also come equipped as standard. Numerous options include analog component I/O, and Dolby E encoder/decoder. The wealth of features allow the FA-9520 to replace many single-purpose units and be a complete toolbox for almost any video production requirement.

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FA-505

A 5-channel signal processor used at many video production sites in line production, transmission, news reporting, production, editing, and distribution.

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FA-1010

A signal processor that comes equipped with an array of essential functions for your video production requirements and allows multi-channel routing (10?input/10?output video). A single unit includes all the typical features of a frame synchronizer, color corrector, 10×10 clean switch, as well as 3G level-A/B converter. Highly versatile audio signal processing capability with delay adjustment and remapping functions plus a sampling rate converter. Combining these varied options allows a single unit to provide optimal functionality for all video production scenes, including those used in transmission, outside broadcasting, news reporting, production, editing and distribution.

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FA Series Comparison Chart

Video Format		FA-9500	FA-9520	FA-505	FA-1010
Video Input	Num. of Inputs	1	2	5	10
	3G-SDI (Level-A)	Optional	Optional	Yes	Yes
	3G-SDI (Level-B)	–	–	Yes	Yes
	HD (1.5G)-SDI	Yes	Yes	Yes	Yes
	SD-SDI	Yes	Yes	Yes	Yes
Video Output	Num. of Output	1 (4-distribution)	2 (2-distribution)	5 (2-distribution)	10
	3G-SDI (Level-A)	Optional	Optional	Yes	Yes
	3G-SDI (Level-B)	–	–	Yes	Yes
	HD (1.5G)-SDI	Yes	Yes	Yes	Yes
	SD-SDI	Yes	Yes	Yes	Yes
	Analog Component	Optional	Optional	–	–
	Analog Composite	Yes	Yes	–	–
Audio Input	Num. of Inputs (max.)	28	44	80 (112)	160 (192)
	Embedded Audio	16	32 (16 x 2)	80 (16 x 5)	160 (16 x 10)
	AES/EBU (Balanced)	–	–	Optional	Optional
	AES/EBU (Unbalanced)	8 (stereo x 4)	8 (stereo x 4)	Optional	Optional
	Analog Audio	4 (stereo x 2)	4 (stereo x 2)	Optional	Optional
Audio Output	Num. of Outpus (max.)	28	44	80 (112)	160 (192)
	Embedded Audio	16	32 (16 x 2)	80 (16 x 5)	160 (16 x 10)
	AES/EBU (Balanced)	–	–	Optional	Optional
	AES/EBU (Unbalanced)	8 (stereo x 4)	8 (stereo x 4)	Optional	Optional
	Analog Audio	4 (stereo x 2)	4 (stereo x 2)	Optional	Optional
Video Functions	Frame Synchronizer	Yes	Yes	Yes	Yes
	Proc. Amp.	Yes	Yes	Yes	Yes
	Color Corrector	Yes	Yes	Yes	Yes
	Clip Function	Yes	Yes	Yes	Yes
	Up/Down/Cross/Aspect Conv.	Yes (Second converter is optional)	Yes	Yes	–
	ANC MUX/DEMUX	Yes	Yes	Yes	Yes
	Video Delay	Yes	Yes	Yes	Yes
	By-pass Function	Yes	Yes	Yes	Yes
	Change-over Function	Optional	Optional	–	–
	Logo Generator	Optional	Optional	–	–
	AVO (Auto Video Optimizer)	Optional	Optional	–	–
	Test Signal Gene.	Yes	Yes	Yes	Yes
	Timecode Ins./Gene.	–	–	Yes	Yes
Audio Functions	Audio Demux	Yes	Yes	Yes	Yes
	Audio Mux	Yes	Yes	Yes	Yes
	Audio Gain	Yes	Yes	Yes	Yes
	Sample Rate Conv.	Yes	Yes	Yes	Yes
	Audio Delay	Yes	Yes	Yes	Yes
	Channel Remapping	Yes	Yes	Yes	Yes
	Down-mixing	Yes	Yes	Yes	Yes
	Polarity Reversal	Yes	Yes	Yes	Yes
	Master Mute	Yes	Yes	Yes	Yes
	Audio Test Signal	Yes	Yes	Yes	Yes
	Dolby E Enc/Dec	Optional	Optional	–	–
	Loudness Control	Optional	Optional	–	–
Other Functions	GUI Control	Yes	Yes	Yes	Yes
	Event Memory	Yes	Yes	Yes	Yes
	SNMP	Yes	Yes	Yes	Yes
	Redundant Power	Optional	Optional	Optional	Optional